High school cliques in the ‘90s were fascinating because the youth were segmented along music tastes, interests, and attitudes. Subsequently, it was easier to identify people by their style of dress. You knew the ravers by their beaded bracelets and cartoon character necklaces. The skaters in their big colorful pants and bleached hair. There were the jocks in jerseys, the preps in plaid, the band geeks, the punks, the taggers… and I was the hummingbird, cross-pollinating. As a teenager, I was curious, if not obsessed, with teenage tribes (I dreamt of one day writing a book or movie about them). How friends would clump together and adopt badges and uniforms to express who they were… and who they were not. Why didn’t the b-boys play tennis? Why were there no gangbangers in theater groups or cheerleaders sporting mohawks? I was trying to explain this to my son this weekend while we watched the Travis Scott Fortnite concert together. “You know, you’re pretty lucky to grow up in this time, because kids who were into video games used to be considered nerds.” He was shocked. “Nerds? But, video games are the coolest thing! Everyone plays video games.” And he’s right. I mean, we were watching the biggest concert of the year on his Nintendo Switch.
These days, high school cliques are still very much a thing, but it’s gotten harder to tell who is who – not just ideology-wise, but by clothing. Maybe it’s due to the Internet or maybe people just aren’t as narrow-minded, but you can listen to whatever you want in 2020, without it pigeonholing you as belonging to a certain social group or lifestyle. You can be into social justice and MMA and cooking, and that’s totally acceptable. The fashion is just as universal, even across genders. You can dress like a hypebeast one day and an emo kid the next. Even better, just mix it all together, bending genres and crossing boundaries.
“Cliques” by The Hundreds and Puma is a discussion of high school cliques over the past couple generations. We modeled each sneaker and its corresponding outfit along three silos of ‘90s teenagers: “jocks,” “preps,” and an all-encompassing “party crew.” The fourth profile is the modern youth who is an aggregate of all subcultures and niche interests. He/she/they are a worldly figure, reflective of their ecosystems, openminded and inclusive. And beyond labels and classifications. – Bobby Hundreds